To learn more about Jesse's work, visit his electronic artwork portfolio or his shape note music web site.

Featured Past Works

  • Under Island: a singing school telling the subliminal history of New York's Roosevelt Island. A collaboration with Carrie Dashow.
  • Rapture/Rupture: a Sacred Harp singing-themed installation created for the Tang Museum.
  • Lawrence, Shade: mixed media installation mixing Sacred Harp music with diaristic writing.

About the Artist

Jesse Pearlman Karlsberg is a sound artist and shape note singer whose work explores politics, religious practice, singing, and personal narrative. Jesse's work is interdisciplinary. While grounded in sound, his projects have mixed book arts, installation, poetry, singing, composition, audio tour, and theater. His current work investigates the history and practice of American shape note singing and the social and religious movements of nineteenth-century upstate New York.

Jesse has presented work at the Tang Museum, Boston Cyberarts Festival, Jessica Murray Projects, CCCB (Barcelona), CAC (North Adams), Google Inc., Old Songs Building, Psy-Geo Provflux Festival, Wesleyan University, and Rensselaer Polytechnic Institute. He is a member of Festival Harmony a choral group dedicated to the performance of new works in the shape note tradition, and of Tintinnabulate, an improvising ensemble founded by Pauline Oliveros. His shape note music has been sung at singings throughout the Northeast, and his experimental music has been performed by Pauline Oliveros, Anne Rhodes, Micah Silver, Angela Opell, Caterina De Re, and Tim Eastman, among others.